The two untitled works by Simon Klose in NEA's current 'Upstairs Downstairs' exhibition do not refer to any specific experience or subject. They are intended to be autonomous experiences in their own right, although others may understand them through their own associations or experiences.
The works are intended to be read as an ‘object’ and a ‘subject’ where the object and subject are as close as possible to being the same. They employ the traditional relationship of viewer and subject, although they differ in that the smaller is closer to a pictorial representation whilst the larger work is enhanced by the wall on which it is located.
What may be experienced by a viewer at best will reflect the many and layered processes and decisions which have led to the present works. The process of their making employed sensing as well as thought, a form of engagement that best communicates making and meaning that is embedded there in the work. A work is completed to attain a ‘truth’, not simply a preference or a liking – that comes from having a primary objective in mind.
Then, I naturally discover beauty as well, so the traditional trilogy of perception, truth and beauty is there.
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