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October is Benalla Show time! Showing in the Benalla Rural City Council's 'Foyer Gallery' during October - Julie Burdis' 'My Chooks'. A number of NEA artisans enter their work in categories including textiles, painting, jewellery and can be overheard discussing their entries at this time of the year.. Other NEA members, including Carla Gardner and Julie Burdis, have a passion for chooks. Julie's passion is evident in her painting "My Chooks' and her accompanying artist statement.  ‘My Chooks’
"Born during World War II in Yorkshire, families were encouraged by the government to use their gardens for growing food and keeping chickens. One of the chickens became bonded to me and would come into the house, jump up on the back of a chair and look down on me in my crib. I was only told about this in later life as whenever I saw chickens I would smile and always intended when I got older that I would breed them. Building my first chook house, I had read somewhere that chickens couldn't see blue. The pole in the middle of the house was painted blue and I sat back waiting to see if they would smack into it. They didn't! Of course they could see it, but if asked would not have been able to tell you the colour! I had heard that listening to Mozart could make you more intelligent and so played him to them. Didn't seem to have any effect. I tried opera and they jumped out of their skin. I decided that visual art might be the way to go.' Artist Statement and 'Occasional Blog' by Julie Burdis *Cards featuring Julie's painting 'My Chooks' are available at NEA. Our featured artist for October, Julie Burdis, has expressed her breast cancer journey through both painting and poetry.  ‘Drowning in a sea of cliches’ Radio National knew. They told me. If the lump is hard, does not move or disappear between menses, Be concerned. I was. 5 years riding a roller coaster ensued. 4 G.P.’s, 2 surgeons , 6 mammograms, one ultrasound conspired to dismiss my concerns. Then I must be insane. They couldn’t all be wrong. Could they? They were. My brain fumbled in a fog of diminishing vocabulary, as the now concerned doctor, pronounced his verdict using a language, Not of my knowing. My blood went cold. Invasive ductal carcinoma, mastectomy, lumpectomy, Oncologist, pet scan, cat scan. I could nor form a 4 letter word. And yet the clichés kept coming. My legs turned to jelly. Tossed off the ship of life, left in it’s wake, dark clouds on the horizon, Storm clouds ahead. The earth moved – and so did my bowels. Had I so early, entered – The sunset of my life? Dreams manifested water, troubled and still, I was up the creek without a paddle And drowning in self pity. A sinking feeling engulfed me. Dejected, rejected, found wanting – of no further use. A specimen, in a glass jar. through which I could neither touch, nor be touched. An unwelcome stranger loomed. Loneliness. Let down, yet perceiving judgements and blame for having clasped in my bosom, this foul, sneaky, skulking disease. My head spun, my world crumbled, though night kept following day. I was stopped in my tracks. From the depths of these negative ablutions, laden with guilt and self flagellation, My subconscious funnelled through to the light at the end. You are pissed of, - it screamed. And, I saw the light. Use the energy of your anger as a fuel to nurture your mortality, urged this voice of dissent. Always look the Tiger in the eye, buy some chooks and never say die. And I did, I do, I did, I don’t and so, I am. N.B. - and totally cliché free. Julie Burdis. julieburdis@internode.on.net. An Occasional Blog published during Breast Cancer Awareness Month, October 2017
"This image of the four people came walking towards me on a village street in England. I immediately thought of the title. As with most of my paintings I put the image onto paper so as not to forget. It was 2011 before I decided to pull it out, and do a preliminary small painting before putting it onto a larger canvas. I used to take it to a Wednesday night art class. When I got home, I decided it was what I was aiming for. Why I decided to put it into a city I don't know. In the top left hand corner I had planes in the sky firing at buildings. I flicked on the telly, only to see my painting in action as the aircraft flew into the Twin Towers in America. My hair felt as though it was standing it was standing on end. I realised I would never be able to do that painting and so it was put away, {with a lot of others} for future thought. Deciding to attack the 'paintings waiting', I thought this painting was in sync with the 'On Ageing' theme of Violet Town's Honey Suckle Art Show in 2017 and smudged out the planes and put in the rising Sun. A new day'. Julie Burdis Julie's 'The Circle of Life' entry won the Honey Suckle Art Show's Painting and Drawing Award in September 2017. An ideal choice to feature in October for Seniors' Month .  While some NEA members have headed towards the sunshine during the winter months, others have been quite involved at NEA, There has been an active workshop program throughout June and July, NEA artisans have been exhibiting work in the region and some artisans have been winning awards. New artisans have applied to be represented in the gallery, with some already on the gallery roster. Artisans and others have been collecting firewood to keep warm at home as well as volunteering at the gallery, which has been able to be warmed up sufficiently to be comfortable. Over the winter months I've enjoyed helping to develop our new website. Designed by Tim Bowtell and supported by Tim Gardner it moved from being a test site to the http://northeastartisans.org web address in June. The Artisans pages on the drop down menu are a real strength of the new website - providing currently exhibiting artisans with an additional opportunity to exhibit their work and provide contact details. If you haven’t been approached or included yet, please contact Tim Bowtell with (any or all of) three photos of your work, some introductory ‘bio’ wording/ideas and contact details/URL addresses for links. The entrance gallery space is evolving into a first point of call when people come to NEA. It's also a space in which artisans often meet, work and share ideas and about their work and philosophies about the arts and crafts in general.  Tim Schloss meeting new NEA artisan Julie Burdis Cornelia Selover can often be found working in the entrance gallery area. I enjoy questioning Cornelia about her work and in the week of the traumatic killings in Nice was particularly moved by the story behind her work 'A feather fell' (pictured below), inspired by reactions of a friend after the Charlie Hebdo shootings in Paris.  Tim Bowtell and Deb Dodd have made weekends at NEA particularly enjoyable and productive for those attending their workshops over the winter months. Tim's Oil Painting - Beginners workshop series is now into it's fourth session.  By August 7th, Deb will have presented two Beginners' workshops and three Bring Your Own Mosaic workshops in just two months - with grouting sessions as well. I've decided that mosaics suit my impressionistic temperament and have thoroughly enjoyed Deb's beginners' sessions.  In addition to these NEA workshops, NEA artisans Annie Longmuir and Cornelia Selover are presenting workshops at Benalla Gallery - Annie is in the midst of a series involving creative knitting, while Cornelia will be presenting life Drawing sessions at the Benalla Gallery on Saturdays 13th, 20th and 27th of August from 1 - 4 pm. Kate Jenvey enjoys running workshops both at NEA and in her studio at home, however is currently focusing her attention on producing works for a solo exhibition to be held at Benalla Art Gallery early next year. As an 'as needed' non-artisan volunteer in the gallery it is such a privilege to meet new artisans exhibiting in the Gallery. Garth Mitchell, a maker of superbly crafted wooden walking sticks, brought his work in last week while I was on duty, while new artisan Amanda Green, who is exhibiting thoughtfully produced, high quality bees wax candles under the label 'Ladybug Green' 'Goodies inspired by nature' also called by.  It's also wonderful to hear that works we have come to treasure have found the right buyer, such as with sculptor Shaun Murphy's coffee table. We will miss it. .  During June and July I've visited two exhibitions in Wangaratta featuring NEA artisans Elaine Murphy - in the intriguing 'Inking the Flyleaf' exhibition at the Baintz Gallery at Wangaratta Library - and Carol Sonogan in the inspirational 5th Biennial Petite-Miniatures Textiles exhibition at the Wangaratta Art Gallery. I've written about Elaine's work in an earlier post. Carol's petite-miniature textile was just as beautiful as I was told it would be. Artists from around the country participate in this project, displaying contemporary textiles that are no larger than 30x30x30cm. Carol currently has a number of her petite embroideries on exhibition and sale in the NEA gallery - including one titled 'Winton Wetlands' pictured on the left among her other pieces currently on show.  NEA's Facebook page is a great place to catch up with artisan news - for example, over the solstice months we read that Kate Jenvey had won the 'Best Drawing' prize at the Flinders Art Show and also read about Annie Longmuir's second prize for her entry of home spun art yarns at the Australian Sheep and Wool Show. . 
Monthly Friday night 'Table Top Games at NEA' games nights have swung into action during the winter months. Our Facebook page has photos of the events and reminders of date, but there is also a dedicated Facebook site https://www.facebook.com/TabletopGamesatNEA/ Only another month of winter! Just before spring starts we'll be able to head out to the 23rd Annual Bald Archy's Prize at Swanpool - 20th August to September 2nd - Tim Bowtell's entry is likely to get lots of local support in the 'People's Choice' category. On a final note... establishing a 'Friends of NEA' group would provide a way for non-artisan members of NEA to make a more defined contribution to NEA's continuing existence and development. Initial research into 'Friends... Inc' based groups seems to be a good idea as a starting point - it appears, for example, it's important to have a distinctive structure and a separate bank account for fundraising. If you would like to join in the process of background research and preparing for a first general meeting to gain expressions of interest in joining 'Friends of NEA', please contact me at bevlee47@gmail.com or leave a message at 0478 607 838. Perhaps next winter there'll be news to post from 'Friends of NEA'.
Bev Lee Non-artisan volunteer **'The Occasional Blogger' is open for submissions by NEA members who may, from time to time, have a strong urge to write about NEA for this column!. |
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Email: northeastartisans@gmail.com
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Phone: 0402 563 918 (Gallery Hours)
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Address: 122 Bridge Street East, Benalla, VIC 3672
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